British Judo Championships 2025 Photos

British Judo Championships 2025 Photos

Quick event summary

The British Judo Championships 2025 ran across Saturday 13 and Sunday 14 December 2025 at the David Ross Sports Village, University of Nottingham. The weekend was split across age groups, with Cadets and Juniors on the Saturday, then Pre-Cadets and Seniors on the Sunday.

It was a packed weekend, with hundreds of athletes from clubs across Great Britain.

Why I wanted to shoot this properly

I wasn’t there as a spectator with a camera. I was there as part of the official British Judo media team, working alongside my friend and sports photography mentor, Mike Varey.

Judo, more than a lot of sports, punishes lazy photography. If you don’t understand what’s unfolding, you’ll always be half a second late.

Judo is my sport

I love it, so it’s a lovely opportunity for me to photograph it properly when I get the chance.

If you’re interested in giving judo a go, I’m a 1st Dan black belt coach at Cirencester Judo Club.

Everybody is welcome. Come along any Monday or Wednesday at 7:30pm - no experience necessary, and all ages welcome.

The kit I used (and why)

Most of my frames were on the Fujifilm X-T5, with a smattering of GFX100S, which I’ve used for sports photography before.

The X-T5 did the heavy lifting because it’s fast, responsive, and well-suited to indoor sport, where things can switch from “nothing happening” to “ippon” in a blink.

The GFX100S came out when I wanted a different feel, usually when the pace slowed just enough to be more deliberate. Not better, not worse. Just a different look and a different type of frame.

One thing worth mentioning is that the EXIF is visible in the watermarks on the images in this post, so if you’re curious about shutter speed, ISO, focal length, and that sort of thing, it’s all there without me pretending I remember every setting from a two-day event.

Judo photography is not just about the throw

People assume judo photography is all about big air. The classic throw frame. Legs in the air, referee in the background, crowd going mad.

You do need those photos, obviously.

But if that’s all you chase, your gallery ends up feeling like a highlights reel with no context. The sport lives in the bits that happen just before and just after the throw. Grip fighting, tension, frustration, coaching, relief, disappointment. The little human moments that tell you what the contest meant.

So I’m always looking for a mix:

  • Establishing frames that show the venue and its scale

  • Grip fighting and movement, where you can actually see faces

  • Peak action when it happens, not three frames after it’s finished

  • Reactions, both the winners and the ones who are trying not to fall apart

You can see more of this work on my other Judo Photography blog post.

Timing beats burst mode

I did shoot bursts, but not in a panicked machine-gun way.

The goal for me is short controlled bursts that cover the build-up and the peak, then I stop. If you just hold the shutter down, you end up with thousands of frames that all look the same, and you still miss moments because you’re stuck waiting for the camera to clear, or you’re simply not watching what’s happening anymore.

Judo has rhythm. You can feel when something’s about to happen if you pay attention. Grip changes, balance shifts, hips turn. It’s not magic. It’s just watching properly.

Light and exposure indoors

Indoor sport is rarely pretty light. It’s functional light.

You’ve got bright mats, darker edges, and sometimes nasty overhead lighting that does nobody any favours. So it becomes a balancing act:

You want shutter speed high enough to freeze action when it matters.

You accept that ISO will climb, and you stop worrying about it. Most of these images have had noise-reduction done using my own AI-Lightroom Presets.

You aim for consistency and cohesiveness across the set.

The X-T5 is great for this kind of work because it’s quick and reliable. The GFX files, when I used them, were more of a deliberate choice for quieter frames, not the frantic peak action stuff.

A quick note on the edit

Every image in this set was finished in Lightroom using my own presets. I’m not trying to make judo look like something it isn’t, I just want clean skin tones, sensible contrast, and a bit of bite in the blacks so the photos feel punchy without looking overcooked.

See All Presets

A quick note on results and coverage

If you want to see the official full results list for the weekend, British Judo published a PDF covering Pre-Cadet, Cadet, Junior and Senior results for Nottingham across the two days.

Closing thought

Photographing judo well is a mix of anticipation, positioning, and restraint. You’re waiting for very fast moments, but you’re also trying to show the story around them. That’s the bit I enjoy most.

Kevin Mullins

Kevin is a documentary photographer and educator with over 800 weddings behind him, well over 1,000 students taught and a passion for honest, story-led photography.

He was the first Fujifilm ambassador for Wedding Photography, a lover of street photography, and co-host of The FujiCast photography podcast. Through workshops, online courses, and one-to-one mentoring, Kevin now helps photographers develop their own style, without chasing trends.

You’ll find him sharing work and thoughts on Instagram, Threads and YouTube, and, occasionally, behind a microphone as a part-time radio DJ. He lives in the Cotswolds, where he is a Black-Belt in Judo and British Judo Coach.

https://www.kevinmullinsphotography.co.uk
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