Using Adobe Super Resolution on GFX100 Images

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According to the Adobe Blog, Super Resolution is now shipping in Camera Raw 13.2 and will be coming soon to Lightroom and Lightroom Classic.

They go further to say;

The term “Super Resolution” refers to the process of improving the quality of a photo by boosting its apparent resolution. Enlarging a photo often produces blurry details, but Super Resolution has an ace up its sleeve — an advanced machine learning model trained on millions of photos. Backed by this vast training set, Super Resolution can intelligently enlarge photos while maintaining clean edges and preserving important details.

And I have to say, I’m mightily impressed.

Firstly, this feature is different from the Enhance Detail setting you see in Lightroom currently. However, I fully expect the new Super Resolution to migrate from Camera RAW to Lightroom very soon.

In a nutshell, The Adobe Super Resolution tool will allow you to take a RAW file (though it will also work on a JPEG from within Camera RAW) and create a super-sized image. And it appears with little to no artefact deficiencies.

Here is an example image. The first image is a standard GFX100 Image, the second is the Super Resolution version. Links to the converted JPEGs are below.

Download the Super Enhanced & Original Image

You can see the original GFX100 Image (58MB) and the Super Enhanced Image (145MB) by downloading this zip file.

In terms of resolution, you’ll see that:

  • Original GFX 100 Image has a pixel size of 11,648 x 8.736 Pixels

  • Super Enhanced GFX 100 Image has a pixel size of: 23,296 x 17,472 Pixels

Which is approximately double the size.

How to use the Super Enhanced feature of Camera Raw:

Currently, the Super Enhance feature is ONLY available (as of March 2021) in Camera RAW. However, as I mentioned, I expect this to come to Lightroom soon. It’s a really easy process.

  1. Open the RAW image in Camera Raw.

  2. Right-click on the Image and choose Enhance.

You will see in the pop-up dialogue that it estimates 5 minutes for this file. However, the true time taken is between 10 and 30 seconds on my machine. However, I do have a fairly beefy PC, so assume that large RAW file Enhances will take a few minutes.

The file created will be a DNG, which I then imported into Lightroom and applied my own presets.

It really is quite remarkable.

Why would you use the Super Resolution Feature?

That’s a very good question, and I can’t imagine myself needing it too often. However, I can see a few uses of this feature:

  • Billboard Images

  • Forensic (assuming no artefacts) Photography

  • Medical Photography

  • Museum and Gallery archive projects

  • Enhancing older generation RAW files to be suitable for larger prints

It’s a really interesting technology but it certainly doesn’t mitigate the need to have a large sensor camera in my mind. It would be difficult to do this for every image, and ultimately, the standard size images would be fine in most cases.

Here are a few more examples of Fujifilm RAW files upsized using the new Adobe Super Resolution Feature:

New Lightroom Profile Based Presets for 2021

All the images in this article are processed with one click from my new 2021 Essential Film Lightroom Profile based Presets.

Take a look at the promo video below if you are interested.

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This is not a random collection of slider-based presets. The live page positions Film Edition 2 as a more advanced follow-on from Film Edition 1, with a stronger focus on film stock emulation and a new modular approach to building your own look. It also introduces the Legends Presets, which aim to capture the feel of some of your favourite photographers, alongside colour- and monochrome-profile-based processes.

If you edit regularly in Lightroom, you already know the problem. You want variety and character, but you also need the pack to stay practical across a full set of images. Film Edition 2 is built to give you that balance. The profile-based looks give you a strong starting point, while the included utilities and noise-reduction tools help you shape and refine the result without slowing your workflow.

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Kevin Mullins

Kevin is a documentary photographer and educator with over 800 weddings under his belt and well over 1,000 students taught. He was the first Fujifilm Ambassador for Wedding Photography, an independent Fujifilm X Photographer, and co-host of The FujiCast photography podcast. Through workshops, online courses, and one-to-one mentoring, he helps photographers develop their own voice.

Based in the Cotswolds, he shares work and thoughts on Instagram, Threads and YouTube, and occasionally behind a microphone as a part-time radio DJ. He's a Black-Belt in Judo and British Judo Coach.

https://www.kevinmullinsphotography.co.uk
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